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"Ride With the Devil: The Criterion Collection" Overview
With this new director’s cut, Ang Lee reconstructs his original vision for his Civil War epic, Ride with the Devil, an intimate, harrowing look at a country torn in half, told from a daringly unorthodox perspective. Set in 1862, during the Kansas-Missouri border war, the film stars Tobey Maguire as Jake and Skeet Ulrich as his friend Jack Bull; they join the Confederate-sympathizing Bushwhackers after Jack’s father is killed by marauding members of the abolitionist Jayhawkers. But Ride with the Devil is also the story of their unusual ally Holt (an astonishing Jeffrey Wright), who’s fighting for the South despite being a former slave. A rumination on identity and loyalty, both political and personal, Ride with the Devil is a provocative challenge to preconceptions about America’s bloodiest conflict.
"Ride With the Devil: The Criterion Collection" Specifications
Great period pictures make you feel as if you've stepped into another era, heard its language, breathed its spirit, and come away with a fresh perspective on that time as well as your own. Ride with the Devil is one of those special films--why wasn't it more widely embraced by reviewers and filmgoers? Did it rely too much on our patience for slow accumulation of unforced rhythms and meanings (as opposed to The Patriot, which "moved" audiences with cattle-prod simplicity and manipulation)? Ride with the Devil--smart, handsome, tenderly awed by how individual lives get ambushed by history--is ripe for rediscovery.
The Civil War of battlefields and plantation houses is nowhere to be seen here. Instead we see the war as an improvised and largely blundering but very bloody feud among neighbors in the border state of Missouri. In this bucolic war zone--more than a little reminiscent of the Balkans in the late 1990s--the Taiwanese-born director Ang Lee (Sense and Sensibility) traces the destinies of several young Southern bushwhackers (guerrilla fighters) as they experience violence, the seasons, and different kinds of love. Skeet Ulrich draws the aristocratic glamour role (and top billing), but he's overshadowed by Tobey Maguire as a first-generation American, the magnificent Jeffrey Wright (a shameful oversight at Oscar time) as a freed slave fighting beside his former master, and singer Jewel in a very natural acting debut as the young widow who graces all their lives. The title The Birth of a Nation was already taken, but by the end of this movie you feel it would have applied here. -- Richard T. Jameson
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